When I was younger, art skills were meaningful and important. Filmmaking was too expensive for any but the elite; there was more demand than supply of “media.” Animation was drawn by hand, every frame. Even a short animated film required money in digits that blew my mind, and whole teams of “talent” and managers.
So when I figured out how to make animated movies on my own, I suddenly advanced to elite status. I could do for little money, by myself, what many huge overfunded studios couldn’t achieve. And before that, I drew. When my work made it to ...
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